Hi. I hope everyone is well and had a great holiday. We managed to get through a week of below zero frigid temperatures here, so I mostly tried to stay nice and cozy inside. Things have been quiet and white here. Who knows … maybe people flew to Mexico.
Now we are moving into 2022, woohoo! One of the best things will be having a clean reading slate. New beginnings, new goals, new books. I plan to post a Year in Review sometime soon … to see how my reading went and what I missed. For now, here’s me pictured with my choice of First Book of the Year … Linda Rui Feng’s Swimming Back to Trout River, which came out last May and is by a Chinese-Canadian author. I’m reading it for my book club to discuss in February. I hope it will be good.
Let’s see what else looks good coming out in January. I’m a bit all over the map on what to choose. I see there’s new novels by such notable authors as Hanya Yanagihara, Isabel Allende, and David Guterson among others. These all look tempting, but perhaps first I’ll pick up Thrity Umrigar’s new novel Honor about an Indian American journalist who returns to Mumbai, where she hasn’t lived since a teenager, to report on the tragic story of a Hindu woman whose marriage to a Muslim incited a murder.
It sounds like a bit of a dark tale, but I’ve enjoyed a couple of Umrigar’s novels in the past. She often writes such moving stories about relations and tensions between cultures. Have you read her?
Next up is Nita Prose’s debut novel The Maid about an eccentric 25-year-old hotel maid (Molly Gray) who finds a guest murdered in his bed. It’s said to be a clever and charming mystery with an endearing oddball at its center … who I gather finds herself a suspect in the crime. The author is apparently a long-time editor and is now at Simon & Schuster Canada in Toronto, which is good since I’m always trying to read more Canadian authors.
I don’t read many mysteries, but this one sounds like fun, and author Ashley Audrain calls it just “the smart, quirky, uplifting read we need” right now, so count me in.
I’m curious too about Weike Wang’s novel Joan Is Okay about a thirty-something ICU doctor at a New York hospital, who’s the daughter of Chinese parents who came to the U.S. to give their kids the American dream. But when Joan’s father suddenly dies back in China … a series of events sends Joan spiraling out of her comfort zone just as the pandemic hits. Is Joan okay?
From what I’m hearing it sounds like Joan is quite the character, unfiltered and with a biting wit, also grieving for her father. As author Heidi Pitlor says “Joan is the perfect guide for our troubled times” and another says “readers will find Joan a kindred soul.” So we will see.
As for what’s releasing on screen this month, there’s the new George Clooney-directed movie The Tender Bar (streaming on Jan. 7 on Amazon Prime) adapted from the 2005 memoir by J.R. Moehringer … about a boy growing up on Long Island in the early 1970s that seeks out father figures at his uncle’s bar. Ben Affleck plays the uncle bartender, which might not be a stretch to fathom.
Many liked the memoir, but the movie has gotten pretty low favorable ratings so far. Too bad. I thought its storyline seemed promising. I will likely see it anyways since we get Prime. Maybe it has a good soundtrack?
Then there’s the movie The Tragedy of Macbeth (streaming on Apple+ Jan. 14), which stars Denzel Washington and Frances McDormand in the lead roles in the Shakespeare-based classic. Apparently it’s a stripped-down version shot in black and white and directed by Joel Coen. It’s garnering high praise and will likely get some Oscar nominations.
I’m curious to see it, though I wonder if seeing it at the theater on the big screen might be better than the TV. The sets apparently create a lot of mood and have a foggy atmosphere. If we go, we’ll need to avoid Omicron, which apparently is getting harder these days.
It looks like Netflix has a couple good adaptations out with the movie The Lost Daughter based on the 2008 novel by Elena Ferrante. It stars Olivia Coleman whose beach vacation takes a dark turn when her interest in a young mother and daughter conjure memories from her past. I think it came out in December.
And there’s also the movie Munich: The Edge of War (due out Jan. 21 on Netflix) based on Robert Harris’s 2018 novel about two former friends on a collision course (working on different sides) as they travel to the Munich conference of 1938. It looks pretty decent too, so I guess we gave up a bit prematurely on our Netflix membership. But check it out if you get it.
Perhaps the biggest TV series to premiere this month is the creator of Downton Abbey – Julian Fellowes’s latest historical drama The Gilded Age (starting Jan. 24 on HBO) set during the boom years of 1880s New York City. It looks to be about a wealthy family and stars Christine Baranski and Cynthia Nixon as aunts to a girl who moves there from Pennsylvania after her father dies. It’s sure to involve much else … about various robber barons I’d gather. And from what I can tell the sets look very gilded indeed. But will it be anywhere as good as Downton Abbey? We will have to wait and see.
Lastly in music this month, there’s new albums by Band of Horses due out Jan. 21 and The Lumineers on Jan. 14 among others. I’ll pick the Lumineers new one Brightside for my choice this month, which is the band’s fourth studio album. And don’t forget Trevor Noah will be hosting the Grammys on Jan. 31 on CBS … if you like to watch the performances.
That’s all for now. Happy 2022 to everyone and thank you for stopping by here this past year! I’ve loved your comments.
Let me know what new releases you are looking forward to … or are reading now. Cheers.