
Hi. I hope everyone is having a lovely spring weekend. It’s great to officially say that now: spring! I’ve been off the blog for a while since I was in Southern California visiting my parents, which was wonderful to see them. It was an excellent trip, and they are okay. I took these two photos there and you can see a bit of green in the California landscape, which is nice to glimpse for such a drought-ridden place. Though it could always use a lot more rain.

Now I’m back in Canada trying to finish chores and get organized. It’s nice to be reunited with the dogs and the hub. My reading has taken a bit of a hit lately but hopefully I can get back on the ball. I was just busy with other things for a while and other projects. You know how it goes.
Meanwhile this Sunday is the Academy Awards. So here are the movies I’ve seen: Belfast, CODA, Don’t Look Up, House of Gucci, King Richard, Being the Ricardos, Spencer, Dune, and Passing. I still haven’t seen the other nominated films, but it’s too late now before the show. Do you have any predictions on what will win Best Picture? And do you plan to watch the Oscars? I guess I plan to, and I wouldn’t mind if CODA and Belfast take home something, but I’m not sure whether the little indie film CODA will be able to take home the big prize. Hmm. But that would be something.

Speaking of movies, I noticed that the trailer came out of the upcoming film based on the bestselling novel Where the Crawdads Sing by Delia Owens. The “marsh girl” named Kya is being played by Daisy Edgar-Jones, who I don’t know yet, but she’s a British actress who’s been in the TV series Normal People among other things.
I read the Crawdads novel back in 2018, which is about an abandoned girl who raises herself, living isolated in the marshes of North Carolina from 1952 to 1969, and then runs into trouble. I liked its setting and the natural world it espouses, though the plot I thought gets a little wobbly as it goes on, but we will see how it is. The movie, which comes out July 15, was actually shot in Louisiana and not N.C. So what do you think — will it be a good movie, or not half as good as the book?
And now I’ll leave you with a review of what I finished lately.
The Days of Afrekete by Asali Solomon / Farrar Straus / 208 pages / 2021

What It’s About: The main character is a black woman named Liselle in Philadelphia who is hosting a dinner party at the beginning for the people who helped with her (white) husband’s political campaign for the state legislature … even though he lost and she’s been contacted by an FBI agent who tells her that her husband is being investigated for corruption.
Liselle’s mother who she calls to ask advice on whether or not to cancel the party is a piece of work, and Liselle begins to wonder if her marriage is over. Meanwhile as the party goes on, there’s alternating chapters of Liselle’s much earlier days at Bryn Mawr college as a literature major and a lesbian … with her lover Selena, in particular.
But after college they go their own ways over a decade or so, and the story goes into Selena’s life and mental troubles along with her job working for an abortion-enabling nonprofit. It also tells of Liselle’s life marrying and having a child and working as a teacher. They meet up once or twice over the years, then later in the present Liselle and Selena both start wondering about the other … as the party, which started at the novel’s beginning, plays out.
My Thoughts: Apparently this relatively short book was inspired in part by Virginia Woolf’s novel Mrs. Dalloway, which also features a consequential party. Its title Afrekete is taken from a character in an Audre Lorde book, which Liselle and Selena relate to. I thought the writing was well done and the author a new talent to me. The novel delves mostly into the characters relations with one another, their various life stages, and the ongoing party. There’s not a lot of action per se to the plot, but there’s observations and much dialogue about gender, race, sexuality, and the socioeconomics of the times. Some of it is satirical and a bit funny. I thought the telling was bold and a bit edgy. If you’re squeamish about lesbian themes stay clear. I listened to this novel as an audiobook narrated expertly by actress Karen Chilton.
That’s all for now. What about you — have you read this one and what are you reading now?