
Hi. Was it a rough week or what? We need to pace ourselves with the crazy current honcho. Even for those avoiding the news, it’s not going to be easy with this wayward circus and trying to hold on. But I hope those in the South who got some snow enjoyed a moment of wonderment with those rare flakes. We’ve had a mild windy winter here without much snowpack so people are worried about drought. It’s supposed to be in the 50s a bit next week, which is a rare thing for this time of year. So it seems the Canadian winter here has flown south. Too bad for the skiing.

Meanwhile the nominations for the Academy Awards came out last week with the French musical Emilia Pérez getting 13 nominations, which is a record for a non-English language film, followed by The Brutalist and Wicked picking up 10 nominations each, and A Complete Unknown and Conclave with eight nominations, and Anora, a romantic-comedy drama, received six nominations.
I was surprised but pleased to see that the sort of unknown actress Monica Barbaro who plays Joan Baez in the Bob Dylan movie received a Best Supporting Actress nomination (wow), and that the foreign film I’m Still Here, which I’m hoping to see whenever its available, received Best Actress and Best Picture nominations. We have a lot left to watch but should see some more films before the March 2 award ceremony, which apparently is still proceeding after the extensive fire damage around L.A. County. I’m still big on A Complete Unknown, which features some classic songs and was very enjoyable to watch.

In TV series right now we’ve been watching Bad Sisters Season 2 and trying out Severance Season 1, which has a pretty kind of crazy sci-fi plot about some office workers who are being manipulated by their company like guinea pigs. Both shows (on AppleTV+) are sort of dark and satirical but a bit fun in that way. Speaking of which, one of the better series we watched last fall was Ripley (on Netflix) based on the Patricia Highsmith novel The Talented Mr. Ripley. It was done once as a film in 1999 so I wasn’t really expecting much, but the TV series with Andrew Scott as Tom Ripley is done really well and is creepy. It has an excellent cat-and-mouse crime plot and was shot in black-and-white on location in Italy with some wonderful shots. Thanks to Lesley at the blog Coastal Horizons who talked it up in September. It’s a bit of an intriguing watch.
And now I’ll leave you with a review of what I finished lately.
The Leavers by Lisa Ko / Algonquin / 2017 / 352 pages

3.75 stars. This novel is still very relevant and I remember when it came out it was much talked about, so I’m glad I finally read it. It’s about an undocumented Chinese worker Polly who gives birth to a son Deming in NYC and tries to make their lives work as a single parent, though she is repaying debts to a loan shark. She switches jobs from a seamstress in a factory to a nail salon technician while she and Deming live with her boyfriend Leon and his sister and her son in the Bronx.
Polly’s looking to go to Florida for a waitress job which she thinks will be better for them, but then one day when Deming is 11, Polly doesn’t come home and no one can find her. Deming, who’s close to his mother, is left with a hole in his heart, thinking she’s moved without him. Eventually when she doesn’t return, he’s given to white foster parents in Upstate NY, who raise him and later want him to complete college. But Deming, who develops a gambling problem, can’t give it his full attention. He has a talent for music and playing the guitar, which is his calling but he’s also sort of aimless. He still thinks about his biological mother — and one day when his childhood friend gives him info about her, he tries finding out where she is.
In alternating chapters, Polly tells her story … and soon things begin to be revealed about what happened and why she left. Meanwhile Deming’s life has been one in limbo — neither fully one culture or another — his identity is convoluted and he hopes in finding his birth mother, he might find himself too. Polly and Deming are characters with problems who might irk you with some of their decisions, but the novel also seems to realistically raise questions about undocumented immigrants and the kids who become disconnected from them, and gives them more nuance and understanding than what we perceive in current events. It’s a pretty potent issue right now and it hit home quite movingly.
That’s all for now. What about you — have you seen any of these movies or shows, or read this novel — and if so what did you think?