The Cue Card

Yes, I am one of those people who just reread F. Scott Fitzgerald’s 1925 classic “The Great Gatsby” so that I could see and compare it with the new Baz Luhrmann movie of it. I dusted off my memory from high school and absorbed the slim volume carefully. Ahh yes the prose, and the green light, and those lavish parties thrown by Jay Gatsby at his mansion on Long Island, N.Y., during the Jazz Age of the 1920s. How could I forget the love triangle between Gatsby and the beautiful Daisy Buchanan, who is swept up in marriage to Tom, after Gatsby, her pre-war beau, doesn’t return right away at the end of the war. Gatsby’s plan is to make his fortune first before returning to reclaim the wealthy Daisy. But by then, she’s married, which throws a wrench into his overall plans to marry her and live in his mansion happily ever after.

But Daisy’s husband Tom is not exactly faithful to her, which leaves the door open, along with Gatsby’s undying love, whether Daisy will leave Tom for Gatsby. She still apparently loves Gatsby dearly, too, but nothing’s ever easy, especially for such star-crossed lovers. Daisy’s from old money, but Gatby’s grown up poor and made his fortune more recently in dubious, under-the-table ways. When Tom angrily confronts Gatsby about this in front of Daisy, all begins to crumble.

Even from my high school days, the book holds up — the tragic love story, the narration by Nick Carraway (Gatsby’s next-door neighbor), and what it says about the human experience and the American dream. I’m still a fan of Fitzgerald’s. I’ve read his first novel “This Side of Paradise” as well and would like to read “Tender Is the Night” someday. Of course, there’s quite a few memorable passages in “The Great Gatsby,” such as this one I like:

They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made. …

Anyways, the day I finished the novel, I hurried out to see the new “Great Gatsby” movie, dragging the husb along the way. But I was quite nervous because I’d read quite a few bad reviews of it in the papers. Many had critiqued it for being loud and noisy and chaotic like an amusement park. So I had rather low expectations of this 3D extravaganza (after all who did this director think he was doing this to “The Great Gatsby” — blasphemy!), but then as I watched it I was pleasantly surprised to find myself quite enjoying it. Whew. The book wasn’t trashed after all. In fact, the movie is considerably faithful to the novel. The lines are there, and the actors do a good job with it, especially Leo DiCaprio as the love-obsessed Gatsby, hooray! Who would have thought it. Even Tobey Maguire as Nick didn’t annoy me. And Carey Mulligan as Daisy held her own despite such a tough assignment.

There’s a few scenes I would have changed to make it more authentic (such as no floating in the air etc.), but I still enjoyed the ride and was able to feel the drama. I didn’t mind the contemporary feel with the mix it had using today’s music. My husb’s response to the film was more lukewarm than mine. But I think the new “Gatsby” movie is quite an improvement from the 1974 “Great Gatsby” film with Robert Redford and Mia Farrow, which I watched recently and found quite laborious and the acting stilted. I usually like Redford in everything but even found him to be pretty bad.

How about you, what did you think of the new film? Or do you plan to see it?

Elizabeth Strout’s latest novel “The Burgess Boys” follows up her 2009 Pulitzer Prize-winner “Olive Kitteridge,” which I liked quite a bit along with her novel “Amy and Isabelle” from 1998. So I jumped to read this one about two middle-age brothers, Bob and Jim, both lawyers in NYC, and their sister, Susan, who still lives in their hometown of Shirley Falls, Maine. “The Burgess” family reunites in Maine after Susan’s teenage son, Zach, pulls a senseless prank at a mosque that eventually leads to a hate-crime charge. Jim, who’s a hotshot corporate attorney,works to get the charge on his nephew dropped, while Bob, the hapless brother who’s always idolized Jim, goes to lend support to their sister Susan, who desperately needs their help.

“The Burgess Boys” is a bit of a departure for Strout, whose past books have mainly been about women and children, not brothers. This one seems a bit more accessible than quirky “Olive Kitteridge,” and is propelled by the topical issue of immigration and the prejudices surrounding the era after 9/11. But like her other books, “The Burgess Boys” focuses mainly on family relationships, which Strout writes so adeptly about, and involves New York and Maine, which might make you think Olive Kitteridge is going to pop out of the story briefly, but alas she doesn’t.

Strout writes masterfully about the Burgess siblings and I got drawn in to the Jim-Bob-Susan dynamic of the story along with their spouses and exes. There’s a hierarchy, disfunctionality and grievances towards one another that feels very real, all shaped by the guilt of their father’s accidental death when they were young. Towards the end of the book, a secret about this is revealed that blows the story into another gear.

“The Burgess Boys” is a book that’s both subtle yet charged. I’m sure I especially won’t forget about Bob or Jim for a while. They conjure a complexity about brothers that seems to hit a nail on the head. With “The Burgess Boys,” I felt for a time like I had stepped into a siblings’ world and how they had grown up in Maine with the weight of their childhood on their shoulders. Perhaps because of this they seem to hang on to each other despite their troubled relations, and the book is more touching than a downer.

It might be a departure from “Olive,” but “The Burgess Boys” is a solid follow-up.

Every once in a while I’ll read a book of nonfiction. I enjoy fiction more, but when done well, nonfiction can be good, too. My husband gave me “Seaworthy: A Swordfish Captain Returns to the Sea” for Christmas I think because he wants to keep me interested in being on a boat at sea. We stayed aboard a sailboat for a week last summer, sailing around Lake Ontario, which was pretty much tantamount to heaven for him, though I’m not sure I ever really got to be captain of the boat like Linda Greenlaw.

You may remember Linda Greenlaw from Sebastian Junger’s 1997 book “The Perfect Storm” about the swordfishing crew aboard the Andrea Gail who were lost at sea during a huge storm in 1991. Greenlaw was also featured in the 2000 movie version played by Mary Elizabeth Mastrantonio; Greenlaw was captaining the sister ship the Hannah Boden at the time and was friends with the captain of the Andrea Gail and in radio contact before it went down. She told about that experience in her 1999 book “The Hungry Ocean.” She’s noted as being America’s only female swordfish boat captain and has written three books about being a commercial fisher.

But this was my first of hers. I had read Junger’s “Perfect Storm” and somehow never got around to reading Greenlaw’s “Hungry Ocean” (though I still want to). “Seaworthy” picks up her story 10 years later after she’s been asked to captain a boat for a season of swordfishing once again. She’s been out of swordfishing since then, while lobstering, and now at 47 years old was worried she’d be rusty, but couldn’t help but jump at the chance.

“Seaworthy” tells of her time captaining the sixty-three-foot boat the Seahawk on a quest for swordfish with a crew of four guys along the Grand Banks off Newfoundland. It’s quite a tale. Who knew Greenlaw would incur such terrible happenstances upon her return to commercial deepwater fishing? It seems almost as if everything that could go wrong, sort of does. The equipment doesn’t work, the shoddy boat breaks down, they drift into Canadian waters while fishing and Greenlaw is arrested, they lack gear and electronics, and the boat’s overseer makes a wrongful decision in ordering them back to port too early to drop the fish off at market.

I realize now there’s so many aspects that come into play in swordfishing at the Grand Banks. Greenlaw writes it’s 1,000 miles from home and 144 hours from Cape Cod Bay, just in getting there. Good luck if you break down. They planned for 60 days at sea, out on the ocean setting and hauling in 30 miles of long lines of 800 hooks again and again, all amid hurricane season. It’s sort of madness that can get one killed in unpredictable weather and on an unreliable boat, but Greenlaw appears at home in her element, being at sea on a fishing boat captaining men.

She’s an entertaining narrator, and combined with the daily journey, gets into the mental aspects of what makes a good captain, how she gets along with the crew, and how she’s changed in her years away from swordfishing. She goes into her inner doubts and explores herself at this stage in life while facing a myriad of challenges onboard the Seahawk.

It all makes for interesting reading. I got caught up in “Seaworthy” and felt despite the Seahawk’s various disasters it was a worthwhile and compelling read. I’m envious Greenlaw is both such a knowledgeable boat captain and an author who can write so well about her adventures and the profession she loves. I felt like I could feel the boat rocking and the wind at sea. I’d be interested to read her other books as well.

Which by the way, she has just published a new book called “Lifesaving Lessons: Notes From an Accidental Mother” about her newly adopted daughter. From what blogger Beth Fish says of the audiobook, it’s quite inspirational as well. Check it out.

Yep, I finally took the plunge and read last year’s top-selling suspense novel “Gone Girl.” About time, right? I sort of had been saving it for an island retreat or something, where I pictured devouring it while lounging on a beach chair under a palm tree. But “Gone Girl” never made it to spring break, which for me is in April, it got picked up by my book club and we discussed it this week.

For sure, most people know what it’s about by now. It’s about a marriage gone terribly wrong and a fifth year wedding anniversary that comes and goes with the wife found missing under suspicious circumstances. What more do you need to know? The couple (Nick and Amy) had been magazine writers in New York City before losing their jobs and having to move back to Nick’s hometown in Missouri. Using Amy’s money (her parents are successful authors of an “Amazing Amy” book series), Nick has bought a bar with his twin sister where he works while Amy remains at home unemployed. That’s about when the wheels come unglued for these two.

It’s told in alternating chapters between Nick, who’s a suspect in his wife’s disappearance, and Amy who fills in the history of their relationship from the beginning. The author weaves the web of it all very well, suspensefully propelling one through it almost like a bat out of hell. I can’t say the characters are really likable, there’s no real good guys in this. I’m sure you’d be ready to hypothetically strangle either Amy, Nick or the cops, sister, or parents at times for what they’re like. And don’t forget Desi.

I mean the novel is done well, but it’s pretty crazy. It reminded me slightly of a combination of “Fatal Attraction,” “Presumed Innocent” and perhaps a touch of “Psycho” thrown in. There’s plenty of twists, with the characters trying to outmaneuver each other at each step of the way. Suffice it to say you’ll be fairly spent by the time you get done. I think my book club liked it quite a bit but I’m not sure I’d recommend it to everyone. But for the suspense genre, it sure has made waves.

“Gone Girl” recently made the longlist for the 2013 Women’s Prize for Fiction, formerly known as the Orange Prize. Stay tuned to see if it will make the shortlist, which will be announced on April 16. It also apparently has been picked up to be made into a movie, which begs the question: who should be in it? My book club suggested possibly: Josh Lucas as Nick and Charlize Theron as Amy. hmm. Your suggestions?

ps. This summer my husband and I will have our third year wedding anniversary; if “Gone Girl” is any example just think what we have to look forward to at the fifth year anniversary!@!?<@#! LOL.